Velarium is the newest kid on the block and Scott Simmons from PVC has posted a great run down of its features. Shotput Pro ($99), Al3xa Data Manager ($79) and the new Velarium ($79) will all transfer happily your footage from cards to hard drives. ![]() They can also copy to multiple locations simultaneously for segregated backups. In the data transfer set there are a lot of options to choose from although they all offer the all important file transfer checksum, ensuring every byte has copied correctly. Although more and more tools are being launched to provide all in one solutions so it’s worth download a few of the free trials available to see which one you prefer. These tools fall largely into two categories: Data Transfer and Dailies Creation. So once you’ve got your hardware sorted, what do you actually run on it? Well, the market for software that will handle your DIT responsibilities is growing too. With the extensive delay on any kind of Mac Pro tower update, systems like these (whether or not you’re a DIT) look more and more attractive for super-fast and portable post production suites. Without the 15-inch retina Macbook Pro it will set you back $10k. What’s more, there’s also a Wi-Fi router and external data and video in and out via dual eSATA, dual USB 3.0, dual HD-SDI, HDMI). ![]() It’s ready to ingest Redmags, Compact Flash cards, SXS and SDHC. Using the Echo Expansion chassis from Sonnet it has 4 PCI Express card slots for things like Red Rocket cards and a max of 12TB RAID. There’s a lot of hardware packed into this ventilated military grade resin hardcase, that’s small enough to fit into an overhead bin, but prepared enough that it only takes “20 seconds to set up”. If you’re after something a little more portable and providing a lighter footprint DIT station’s Rogue4 (freshly demoed at NAB 2013) could be just the thing. Light Iron really are one of the most forward-thinking filmmaking companies out there and if you don’t believe me check out CEO, Michael Cioni’s excellent presentation at the Amsterdam Supermeet entitled ‘ Darwinean Filmmaking Evolution or Extinction.‘ You can back up your footage in triplicate, create color graded dailies, handle 3D convergence and securely stream live iPad ready dailies to everyone on set via Todailies. Their bespoke systems are built to spec for each production and come in a variety of flavors Outpost is the full-bore DIT cart that can handle anything, while Lilypad and LilyPad Case offer slightly more streamlined systems. Depending on the nature of the production that role contracts and expands accordingly.Ĭompanies like Light Iron Digital, who supply DIT carts and end-to-end digital workflow systems, now span both coasts of America as the DIT’s role continues to develop and the brick and mortar post-lab declines. Part of their job is safeguarding the digital negatives by duplicating the day’s footage, they also create looks with on-set color correction and should have a wealth of camera and post-production knowledge to troubleshoot problems with the creation of digital images. But what does a DIT do? Well many things, as they seamlessly bridge the gap between production and post. ![]() What tools does a DIT need to have at their disposal? This round up of the latest software and hardware releases will keep you up to date on the answer.įile-based workflows have given rise to the world of the Digital Imaging Technician or DIT for short.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |